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If a detached nihilism is what she’s trying to achieve, then the approach could work. But detached nihilism is almost always a one-note song, and difficult for even great writers to make interesting.
If that’s not her intent, then the problem is largely one of craft. The conflict in each of the stories is always the same: will the object of her desire find the subject sexually appealing and fuck her?
”Elizabeth Spiers, “But Is It Good?: The Problem With Marie Calloway’s Affectless Realism”
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Some people may view the entire debate as an insular, inside bit of business in the comedy world, but this stuff matters; the way comedians of note choose to deal with touchy topics affects how those things work their way into the culture.
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Hmm, I wonder how they’re going to split the royalties for track 3…
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To inspire you all to get out and immerse yourselves in new cultural experiences, were psyched to announce ABSOLUT X is coming to town! Spend a night at the intersection of music, art & mixology!
21+ RSVP > http://smarturl.it/1tmq22
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This line is turning into the new Frank’s Hot Sauce. Bloggers just put this s**t on everything.
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Celebrate summer like a time traveler:
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Thanks to The Daily Beast for naming Flavorwire one of their #BeastBest Award winners!
For the full list of winners: http://beastbestawards.thedailybeast.com/#web
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Throwback Jessica Paré and more in this week’s edition of Flavorwire’s Guide to Movies You need to Stream This Week
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